{"id":2407,"date":"2019-05-07T18:19:56","date_gmt":"2019-05-07T18:19:56","guid":{"rendered":"https:\/\/www.nachleben.org.uk\/skomer\/?p=2407"},"modified":"2019-07-09T14:03:26","modified_gmt":"2019-07-09T14:03:26","slug":"more-rotoscoping","status":"publish","type":"post","link":"https:\/\/www.nachleben.org.uk\/skomer\/?p=2407","title":{"rendered":"More rotoscoping"},"content":{"rendered":"

Getting set up to shoot titles, graphics and other things to 16. Some films will employ content in the VA sound track area but for ones that don’t I must remember to mask off this area with black foil clipped to the glass.<\/p>\n

Heres a 16mm frame projected to align the soundtrack, centre point and margins for the printed material.<\/p>\n

The film travel and NF are reminders that once printed, this image and thus film will be orientated ready for projection. I could add some perforation markers as well I guess.<\/p>\n

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The optical soundtrack centre axis probably does shift form print to print, this old TRRL print being a case in point as the peak waves creep near to the edge of the printed area.<\/p>\n

Here is a graphic printed out and mounted.<\/p>\n

Underneath is an approximation of how it will look once printed to release stock. When I designed this logo, years ago I didn’t plan for it to be photographed and thus reversed. Weirdly then the flint axe and the camera come out correct. Weird. I got this idea when I was projecting some films by Luke Fowler. The ones he made to show with Alasdair Roberts playing live. I turned to him and said, “a bolex is like a folk instrument now….”
\nUnder that is the view through the finder lastly to confirm a pretty good alignment.<\/p>\n

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Getting set up to shoot titles, graphics and other things to 16. Some films will employ content in the VA sound track area but for ones that don’t I must remember to mask off this area with black foil clipped to the glass. Heres a 16mm frame projected to align the soundtrack, centre point and margins for the printed material. …<\/p>\n","protected":false},"author":1,"featured_media":2418,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-2407","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lab-activity","archive-loop-container"],"_links":{"self":[{"href":"https:\/\/www.nachleben.org.uk\/skomer\/index.php?rest_route=\/wp\/v2\/posts\/2407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nachleben.org.uk\/skomer\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nachleben.org.uk\/skomer\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nachleben.org.uk\/skomer\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nachleben.org.uk\/skomer\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2407"}],"version-history":[{"count":13,"href":"https:\/\/www.nachleben.org.uk\/skomer\/index.php?rest_route=\/wp\/v2\/posts\/2407\/revisions"}],"predecessor-version":[{"id":2459,"href":"https:\/\/www.nachleben.org.uk\/skomer\/index.php?rest_route=\/wp\/v2\/posts\/2407\/revisions\/2459"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nachleben.org.uk\/skomer\/index.php?rest_route=\/wp\/v2\/media\/2418"}],"wp:attachment":[{"href":"https:\/\/www.nachleben.org.uk\/skomer\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nachleben.org.uk\/skomer\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nachleben.org.uk\/skomer\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}